Greg Padesky is painting his “Texture of Prayer” series in an ArtStreet studio this month.
Padesky, a campus ministry graduate assistant for the student neighborhood, first painted each panel in miniature, approximately 8 inches square, as a guide for the larger paintings, which are 4 feet square.
He is painting the 18 masonry board panels in pairs in the colors of the spectrum and coating them with epoxy gloss to promote durability. He will then mount each pair on one of the nine floors of Campus South at the elevator stops, giving students a spiritual splash of color as they head to class.
A bright, sunny Wednesday became the perfect time for eight student workers to scrub approximately 128 Marianist Hall dorm room trash cans. They organized an efficient system of handling such a large number of items to be washed by giving everyone a job: adding liquid soap to the cans, blasting away the dirt with the sprayer, rinsing or stacking to let them dry in the sun. The most efficient and visually pleasing way in which to dry them, they decided, was to form a pyramid.
When school starts in the fall and students return to their dorm rooms, they’ll most likely never know that their trash cans were once part of a public sculpture this day.No Comments
In 1942, German U-boats were picking of Allied supply ships crossing the Atlantic, putting the blockaded British in dire straits and ravaging the Allied fleet. Polish mathematicians, followed by British engineers, had worked on the intelligence project known as Ultra to decrypt enemy messages. But their success was stymied by the sophisticated German naval code, and the U.S. Navy decided to embark on its own codebreaking effort.
Among the greatest enemies of German U-boats during World War II was the ingenious mind of 1929 UD graduate Joseph “Joe” Desch and the codebreaking machines he designed, assembled a mile from campus in NCR’s Building 26 along the Great Miami River.
It’s a surprising tale even to many war scholars. That’s because, for 50 years after the war, no one working on the top-secret project uttered a word.
Now, their stories of loyalty, invention and sacrifice are being revealed to a national audience through the April 2004 release of the book The Secret in Building 26 and the documentary Dayton Codebreakers, being released this fall. It’s a familiar tale of Dayton ingenuity and hard work, with roots in a Midwestern sensibility and Marianist education that provided Desch with the tools to crack the code.
An impossible task
In 1942, German U-boats were picking off Allied supply ships crossing the Atlantic, putting the blockaded British in dire straits and ravaging the Allied fleet.
Polish mathematicians, followed by British engineers, had worked on the intelligence project known as Ultra to decrypt enemy messages. But their success was stymied by the sophisticated German naval code, and the U.S. Navy decided to embark on its own codebreaking effort.
Enter Joe Desch and Dayton’s National Cash Register Co.
Desch had been building a reputation for himself since he joined NCR in 1938. In an effort to speed the calculations of NCR’s cash registers, his engineering team created the first electronic counter that could log a million counts per second. His work foreshadowed the coming computer age, and the Navy wanted to use that technology to break the German code, known as Enigma.
The intellectual, physical and spiritual struggles that ensued during those 14 months were as monumental as the innovation, and they only started to be revealed in the last 15 years. Debbie Desch Anderson, who was born in 1950 and didn’t know during her father’s lifetime of his war contributions, responded to a challenge her father issued before his death in 1987.
“Dad used to say, ‘Honey, you’ll never figure out what I did,’ and that was the wrong thing to say to me,” says the 1971 UD graduate. “He underestimated me.”
Her task, at times, was almost as daunting as her father’s. During a 1993 visit to Washington, D.C., she went to the National Security Agency with an armload of classified documents she found among her father’s possessions. Seeking answers, she instead endured hours of questioning and the ultimate confiscation of her records.
In 2001, at the National Archives in Washington, Anderson found a memo signed by her father’s hand.
“I started crying, because he’s a historical figure, and he’s my dad,” she says.
Through her research, Anderson learned that the Navy pushed repeatedly for an all-electronic decipher machine, while Desch insisted that an electromechanical hybrid could do the same job and take less time to produce. It was an intellectual struggle that wore on him, further strained by the moral obligation he felt to the men who were dying on warships, waiting for intelligence that would allow them to evade the U-boats.
But Desch was prepared to fight for his electromechanical hybrid and succeed. He had behind him an army of 600 WAVES — Women Accepted for Voluntary Emergency Service — to assemble the deciphering machines, called “Bombes,” and an engineering staff of 24, whom he managed with deftness and grace. Edward DeLaet, an engineering technician, remembers how Desch handled one of the numerous demands placed on him by the Navy. For the documentary, DeLaet recalls Desch saying, “They just gave me another impossible job. Impossible jobs I can do; it will just take me a little longer.”
Breaking the German Engima was a herculean task. When Desch worked on Ultra, the Germans had progressed from a three-rotor to a four-rotor encryption machine. The alphabetized rotors and plugboard settings — which transposed individual letters, further confusing the message — were changed daily. The German code clerk chose which four letters were to appear through small windows next to the rotors. These letters indicated the initial rotor settings for any given message, and the code clerk changed those settings with every message he sent. The resulting message looked like a string of completely random letters to anyone not knowing the day’s settings.
To understand how difficult it is to arrive at the right combination of rotor and plugboard positions to decode a message, Wittenberg University physics assistant professor Dan Fleisch related it to the number of atoms in the universe. The number of possible combinations for the Enigma machine was 10 to the 145th power, compared to 10 to the 81st power, the number of atoms in “all the 50 billion galaxies,” Fleisch says.
“Imagine trying to find one specific atom out of all the atoms in all the stars in all the galaxies in the universe,” he says in the documentary now being completed for public television. “You are trying to find that one that represents the setting of the machine on that day. It is an impossible task unless you have some advantage other than simply trying all the possible sequences.”
The machine to do it was dubbed the “Bombe,” possibly after a frozen dessert fancied by the original Polish codebreakers. Just as Desch required an army of workers to build the machine, Anderson needed a host of scientists, historians, intelligence agents and Bombe workers to fit together the pieces of Desch’s life and tell the story of Dayton’s codebreakers.
Cradled in creativity
To understand Desch, Dayton Codebreakers roots him firmly in his Kirkham Street house wedged among three rail lines in the Edgemont neighborhood that sheltered Italians, Jews, Germans and African-Americans.
Anderson says her father may have caught the creative genius from his father, one of a long line of wagon makers, or was thrust into it by his mother, a German immigrant who insisted on a Catholic education for her son.
“Living on the West Side and being exposed to all the different populations, the different businesses, gave him the confidence and even the imagination” he needed to invent, she said.
As a teenager, Desch taught himself how to blow glass to create vacuum tubes. He would order so many unusual chemicals for experiments that, one day, a chemical company representative showed up on his parents’ doorstep looking for the chemist “Mr. Desch.” His parents directed the man to the boy in his basement lab.
The documentary also sets Desch in a city that fostered great minds and unusual solutions to extraordinary challenges. Desch lived only blocks from where the Wright brothers were testing airplane water landings on the Great Miami River and just across the river from NCR, where John Patterson created new models for business and hired men who would go on to found or lead IBM, Delco, Packard and Standard Register.
It was a combination of a Midwestern work ethic and ingenious know-how that cultivated such inventors, said Paul J. Morman, a UD history professor with a special interest in regional innovation early in the century.
“There’s something about the Midwest that fostered a creative genius that was willing to rethink problems in a fundamentally different way and could do so without established wisdom saying, ‘That’s not the way you do it,’” Morman says.
In the documentary, Anderson describes her father as humorous, opinionated, stubborn and charming. Even as a child, the traits that defined the man she knew were evident. He thrived at Emmanuel Elementary School, where the Marianists stressed quality and creativity with an ethical base. Despite an episode in which he slugged a Marianist who disagreed with him on a math equation, Desch attended UD’s preparatory school on scholarship and gravitated toward an experimental field of electrical engineering, studying toward a bachelor’s degree under Brother Louis Rose, S.M.
“He was Dad’s engineering professor, but it was a brand-new field, and they were learning together,” Anderson says. “The whole love-of-learning thing was part of Dad’s personality, but it was further developed while he was (at UD).”
Desch developed a special relationship with other young Marianists, including Brother Lawrence Boll, who taught Shakespeare, and Brothers Ulrich Rappel and William Bellmer, who shared Desch’s love for science. Anderson says her father would meet with them after school hours to “goof off” and experiment with ham radios.
While he held only a bachelor’s degree, Desch was folded into circles with some of the brightest minds in the nation. Anderson’s mother would tell the story of attending a function at MIT, where he would be introduced as “Dr.” Desch.
“They couldn’t understand that someone so brilliant had only an undergraduate degree,” Dorothy Desch would say.
The highest credit
Desch taught one term of physics at UD before moving on to work at Frigidaire, and then at NCR. Wartime interrupted his cash register work, and the Bombe became one of more than a dozen war assignments for Desch.
The Bombe proved a messy, hot, cranky challenge with a tight timetable. Desch’s service to the Navy began on March 9, 1942. He endured long hours, a severing of ties with his German relatives and constant personal surveillance, including officers assigned to live in the two-bedroom home Desch shared with his wife.
By May 28, 1943, his first two Bombe prototypes — dubbed “Adam” and “Eve” — registered “hits,” highlighting the encryption pattern that could be used to decipher all intercepted transmissions on that day.
The Bombe was taller than a person and twice as long, a cast iron and steel machine with miles of wiring attached to thousands of vacuum tubes. It would whir and grind as it spun out the possible letter combinations, joining with other Bombes on the floor to create a deafening noise.
Shirley McKenzie Anderson (no relation to Debbie Anderson) was one of the WAVES stationed in Dayton. She later traveled to Washington, D.C., to operate the machines.
“It was a clanking sound, with all those machines going at different times and clanking at different times,” she says for the documentary. When the Bombe would hit a pattern that made sense of the code, “it was crash, boom, bang,” she says, reversing itself and halting at the combination where the hit was made.
Desch’s engineering team and the WAVES constructed 121 Bombes and sent them by rail to Washington, D.C. Of those 121, only one machine remains intact, housed in the NSA Cryptologic Museum in Fort Meade, Md.
The Bombe’s contribution to the war is hotly debated, but Baylor University associate professor of history Eric Rust gives the Bombe project the credit he believes it’s due. The son of a German U-boat officer and a former member of the German military who has experience with Enigma encryption technology, Rust calls the Bombe’s effect “tremendous.”
“The Dayton operation gave the Allied side, especially Americans, a tremendous advantage by saving the Allies time, by not wasting resources on operations that would have otherwise not been necessary had there been no Enigma intercepts,” says Rust, who is featured in Dayton Codebreakers. “It saved personnel and it saved lives because fewer were exposed to the dangers of the war.”
Based on the combined efforts of the Bombes operating in Washington and the Ultra project in England’s Bletchley Park, Rust says that up to 54 U-boats were destroyed.
Desch’s contributions were also noted by President Harry S. Truman, who signed Desch’s 1947 National Medal of Merit citation.
“By his brilliant originality, superb skill and immeasurable perseverance, he contributed essentially to the effectiveness of important technical developments of great significance in the successful conclusion of the war,” the citation reads. “Mr. Desch’s technical skill and fine professional judgment reflect the highest credit upon him, and upon the scientific tradition of the United States.”
Such glowing words grace a piece of paper yellowed with age and once forgotten. It’s a story that’s no longer top-secret, ready to be classified among America’s greatest success stories.
Michelle Tedford inherited her love for military history from her father, Clint Tedford, the first to tell her the story of the 1835 Toledo War.