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Depending on your profession, ablank page could be a wonderful thing — full of possibilities, ready for you to make your mark.
For an editor, it’s the stuff of nightmares — ones with hairy spiders, chainsaw-wielding madmen and red pens that have all run out of ink.
So, I almost hate to ask, but did you see the blank pages in this issue, Pages 30-35? No? Thank goodness.
And thank a student. I did.
We employ 13 students — writers, photographers and a social media intern — for contributions that go beyond simply completing assignments and filling holes. In this issue, senior Ian Moran drove under threat of snowmageddon to Columbus, Ohio, to photograph a couple who will make bicycle dreams come true (Page 56). Our graduate assistant Tom Corcoran ’13 channeled his experience on UD’s football team to uncover mysterious figures from the Flyers’ 1938 squad (Page 61). To find their work, just look for bylines followed by the student’s graduation year. They leave their marks everywhere, including proofreading these pages.
Last summer, my assignment to senior Erin Callahan was to poke her head into every academic office and ferret out people and programs for potential stories. She returned from civil engineering with a name: Pete Ogonek. What started as a 500-word student profile blossomed into her feature “Rowing Machine,” starting on Page 30. Not only does she tell a good tale, but she also filled a very large hole left when the editors decided a previously scheduled feature just wasn’t ripe enough to run.
I barely had time to panic about a blank page when Erin filled it with a story of determination and excellence.
I’d like to think this entire magazine shows just that. The traits are often found in those we interview and photograph, in the stories we tell and the University we love. But our staff — both professional and student — demonstrate determination and excellence every day. A favorite part of my job is working with these students, feeding off their energy and teaching them what I love most about this craft. Our working relationship is not perfect; there are frustrations over missed deadlines, killed stories, or the obstinate use of the serial comma. But when I page through the final product, and know all that has gone into it, I am very, very proud.
I hope you are, too.
There are nights I show up at UD Arena and I know the man in front of me groans a silent groan.
Every game, he’s here to watch basketball. Every game, I’m here to watch basketball … and get a pinch of something more.
Last time, it was fennel.
As we watched players run up and down the floor, Jo Hinker and I discussed soup. She wrestled with stubborn, hard pinto beans. I shared a disgust for carrots but an obsession for carrot-ginger soup.
Her tale of a near-mythical tomato, orzo and fennel mélange made me miss a slam dunk.
The next day, she emailed me three recipes. I copied two of my favorites to index cards for her.
I only know Jo and her husband, Neal Hinker ’79, because our basketball seats are side by side. We are of different generations, live on different ends of town; but there’s something very familiar about the relationship. It starts with UD, and soon they’re attending one of my husband’s plays and we’re donating to one of their favorite charities.
I’m writing this column between Thanksgiving and Christmas, which may explain my uncharacteristic sentimentality. I can be as curmudgeonly as the next editor, but I feel that relationships with UD at their heart become something better, or deeper, or faster than other associations.
For example, my experience of “minoring in the Majkas.” More than 20 years after graduation, I tell anyone who will listen about the block of sociology courses I took from professors Linda and Theo Majka. Their lessons still inform the way I consider life, from the Supreme Court case on pregnancy as disability to the rulings on use of police force against black men.
In the years since, my husband and I shared a meal with the Majkas at a Denver Tex-Mex restaurant. On another occasion, the four of us walked together through a nature preserve to see the bluebells in bloom. Those memories are a few of the reasons I was so saddened to learn of Linda’s death this November.
In Class Notes this issue, there are stories of Flyer strangers meeting along the Columbia River (Page 55), on a train in New Zealand (Page 42) and on a golf course in New York state (Page 46). They knew what this column was about before I even started writing it. (I could’ve asked them to write this; it would have saved me a lot of time.)
I’d guess the man who sits in front of me at Flyer games does, too.
“It’s about connections,” I bet he’d say, not turning his head from the court. “And soup.” And then I’d hand him a handwritten recipe card.
Maybe I will.
Talk of rare books sent me hunting for my own first edition. Its spine was hard to spy on my bookshelf — its cover having been ripped off and taped back on long ago. I opened it and found a red Kool-Aid spot dotting the opening page and the word “SO” scratched in pencil at the end, evidence of my very first edit.
Marvin K. Mooney Will You Please Go Now!, by Dr. Seuss, was printed the year I was born. It is the story of an obstinate gent who eschewed fanciful transportation until he was good and ready to leave on his own two, furry feet. It was one of the first books I read aloud, my entrée into the fun that could be had by shuffling 26 letters and rolling them around in your mouth.
My first edition will not be part of the Rose Rare Book Collection on display in Roesch Library Sept. 29 to Nov. 9.
But it doesn’t have to be rare to be priceless to us.
This fall, we’re asking readers to share the priceless works on their shelves by posting to social media and tagging photos with #shelfie and #UDrarebooks. What makes it priceless is different for each of us. Maybe our grandmother gave us the book, or it took a long hunt through a dusty bookstore to find it. Books can open new worlds, teach us about old ones, and make us cry or laugh.
Or blush. For a photo shoot, I held in my hands a 1492 printing of Canterbury Tales, part of the exhibit. Looking at looping letters and angular illustrations, I learned something of early printing techniques. It also reminded me of high school and a red-faced Mr. Parr revealing Chaucer’s bawdy humor to a bunch of giggling teenagers. I’ve carried that 1988 paperback with me through five moves.
Will students in professor Ulrike Schellhammer’s fall literature course have the same connection to their $8 paperback Im Westen nichts Neues (All Quiet on the Western Front)? In the 1928 galley proofs on display in Roesch Library, students will see Erich Remarque’s handwriting as he edited lines that Schellhammer says make it one of the most important anti-war pieces: “It is the attempt to tell the story about a generation that was destroyed by the war, even if it escaped its grenades.”
At the exhibit, we will marvel at the weight of the paper, or the signature of Abraham Lincoln, or how the breadth of works reveals the human progression of thought on our place in the cosmos. And then we will go home, look at our bookshelves and pull from them golden words whose meaning is richer thanks to all the experiences that shape our lives.
It was three days full of belly-laughing, donkey-snorting, mascara-running good times with 350 humor writers from around the country.
And there I was, sitting in Sears Recital Hall, trying not to cry.
A fellow attendee at UD’s biennial Erma Bombeck Writers’ Workshop had just stood up. Her name was Kate.
She had come here from Newtown, Conn. “I was funny and lost my funny,” she told us as we rummaged our pockets for tissues. “I came here to find it again.”
We knew she hadn’t just lost it. This writer had her funny ripped from her in her own hometown by the Sandy Hook Elementary School shooter. When would it be OK, she wondered, to laugh again?
It’s when life makes us ask such questions that we need laughter the most.
At the workshop’s keynote dinner, Phil Donahue reminded us of the power of laughter as he talked about his good friend, the late Erma Fiste Bombeck ’49. The father of daytime talk shows and the mother of misadventures had been neighbors in Centerville, Ohio, each raising stair-step children while launching their careers.
In her writing, he said, was an honesty that touched the world. She popped balloons of pretense with daggers of laughter. Her humor was revolutionary.
“Motherhood was sacred,” Donahue said as he intoned popular sentiment: “‘Oh, how blessed you are. Oh, what a wonderful mother you are.’ Mothers were on pedestals. And Erma would do a column something like, ‘I am going to sell my children.’ She punctured that pretense, and she was speaking for millions of women.”
My own mother taped Bombeck’s words to our goldenrod-yellow refrigerator door — not the words about selling us, as far as I can remember, though I certainly would have deserved it for digging a pond in the backyard and filling it with frogs, which attracted crows from three counties.
Millions of women also taped Bombeck to their fridges, taking strength from the joys of an imperfect life
with this sister who cautioned us to never have more children than we have car windows. It is a community that stretches through the miles and across the decades and that, every two years, materializes at UD, where a young Erma was told by her English professor, “You can write.”
This April, Donahue repeated the phrase, adding a charge to use our words to move mountains. “We have an assembly of people of conscience here … and you may just be the people who will make our lives better,” he said.
With their words and their support, the attendees embraced Kate from Newtown, who later wrote, “My three days in Dayton were extraordinary, and when the laughter died down I learned this above all: the line between tragedy and comedy does exist, and while laughing in the face of any horror is nearly impossible, the only way through the tears and darkness is with laughter and light.”
Did you hear about the great Toldeo War? No? Then you weren’t sitting around the Tedford kitchen table in 1984.
The World Book Encyclopedia was more common on our dinner table than a glass of spilled milk, and my all-elbow adolescent self spilled enough to float the entire 22-volume set. Alongside pork chops in mushroom sauce, my parents served a heap of curiosity with a side of disbelief that could only be remedied by a trip to the bookcase.
My father, Clint, loved history. As a boy, this son of a farmer whose fields lay adjacent to an Army artillery range looked to the skies for his future. He had read all about Charles Lindbergh, the pioneer aviator who, like him, had grown up in Little Falls, Minn. Charles and Clint graduated from the same high school 40 years apart, and my father followed in his flight path and became a commercial airline pilot.
Dad’s black leather flight case smelled of hydraulic fluid and the thin air at 30,000 feet. Inside, next to his flashlight and logbooks, was a pocket dictionary, worn by repeated thumbing. Watching him leaf through it demonstrated to me, a girl with abysmal spelling skills, that with the right resources anything was possible (and, yes, I just misspelled “abysmal” twice before getting it right).
Which leads us to those hallowed blue-bound World Books. At supper that evening in 1984, when we challenged his assertion that a war was fought over what we knew as Toledo, Ohio, he sent us thumbing through the volume “O.” We learned that the only casualty, other than a stab wound, was suffered by Wisconsin. Not yet a state, Wisconsin lost its “head” — what would become Michigan’s Upper Peninsula — when President Andrew Jackson brokered a truce that allowed Ohio to keep the disputed “Toledo strip” by giving Michigan the resource-rich wilderness.
If you thought this column was about history lessons or family dinners or encyclopedias, you are wrong. It is about cancer. My father was diagnosed in 2002 with glioblastoma multiforme, a brain tumor. After surgeries, chemotherapy and radiation, the still-growing tumors pushed out his knowledge of the Toledo War. While he remembered our names, he did not know which end of the videocamera to speak into when recording his last message to us. He died in 2003.
I did not want to write a feature on cancer. Like young Gracie Ehemann in Jennifer Broo’s high school biology class, I did not want to talk about a disease that has killed my father, my cousin, my grandma and so many others.
But, in sitting and talking with her students, I found hope. And then there’s the story of Maryland teenager Jack Andraka. Motivated by the death of a neighbor, he developed an easy test for pancreatic cancer. If science could find a way to harness the enthusiasm of 15-year-olds, the problems of the world could be solved. Broo’s students are joyful and honest and curious. They refuse to take “no” for an answer in the way only a know-it-all teenager can. I hope every high schooler in America will learn from Broo’s cancer curriculum.
We all deserve to have every seat at the dinner table filled with those whom we love. It’s time to find a cure for cancer. It’s time for this great war to be over.
Read about the teaching of Jennifer Sunderman Broo ’04 here: http://udquickly.udayton.edu/udmagazine/2014/03/war-of-the-21st-century/.
Standing with hands submerged in a sudsy sink, surrounded by my college housemates, I was reminded of my life at UD.
Doing dishes was not one of those memories.
At 114 Chambers St., our dysfunction manifested itself in towers of starchy pasta pots and dinnerware. Some of us bullheadedly refused to wash a dish that wasn’t ours. Others of us had no conception of the need for dishes to be washed.
Since then, we’ve all learned a few things, such as how much we mean to one another. That was reinforced this October when five of us rendezvoused in Chicago for a girls’ weekend. It was our first quorum since a 2005 wedding. We had meant to reunite a year earlier for a 40th birthday celebration, but a birth and a death and other messy stuff called life just got in the way. As we cooked and ate and talked and did one another’s dishes, we understood just how much we had missed, and how much we had missed one another.
At TEDxDayton Nov. 15, Justin Bayer ’01 revealed the secret to success. It’s the kind of simple solution we’re all born with but, sometime between birth and high school, the tag washes away and we simply forget how to care for ourselves.
“Success is happiness.” Justin’s wide smile crinkled both corners of his eyes as he stood on stage at the Victoria Theatre before a packed house ready to be infused and inspired. He told the story of his guidance counselor who once … twice … five times told him to visit the University of Dayton. The Cincinnati high schooler had no intention of attending a college 50 miles to the north. But he acquiesced, and he visited. “I call that visit the turning point for the rest of my life — something just felt right,” he said.
He found his MARV — meaning, accomplishment, relationships and vitality. Justin uses the acronym to describe the path to success. In his business, Welcome to College, he shares the MARV philosophy with students to help them avoid becoming national statistics like the 56 percent of college students who report feeling lonely, 44 percent hopeless or 85 percent overwhelmed.
College, for me, was a good first step. But moving into that crummy landlord house on the Dark Side and living with always smart, forever talented, often loud women who during the next three years challenged me daily changed my life. As one housemate said in Chicago, at UD was the first time she felt like a rockstar. And in the glow of one another’s spotlights, we all grew to realize our dreams. These women are my MARV.
Two weeks after that reunion, I again had my hands in a sudsy sink, this time in Bowling Green, Ohio, for the funeral of Patrick Fitzgerald ’66, the father of Kerri, my Chambers Street roommate. He will be remembered as a happy grandpa whose eyes crinkled as he smiled, a champion of public television and human rights, a lover of family, friends and Jameson, which we raised to him in a toast.
Sounds like success to me.
The thousands who flocked to Denver were rapturous.
Me, I was mostly annoyed.
Pope John Paul II had swooped into our smoggy city and brought with him tidings of joy for the youth of the world. He also — perhaps rightly, after the 1981 attempt on his life — brought a hyper- vigilant and imaginative security detail that saw in my rusted fire escape a potential sniper’s nest. It seems the pope, when looking for digs to inhabit during the 1993 World Youth Day celebrations, did just as I had done months earlier — decided the red brick charm a stone’s throw from the capitol outweighed the accompanying view of junkies stumbling over from Colfax Avenue. For more than a week, we were neighbors, him in the apartment building behind mine and me un- able to take out the trash lest one of his snipers mistake me for an assassin.
I was annoyed, but I was also in awe.
Growing up Catholic, I saw images of the pope everywhere. I close my eyes and envision the calendar that hung on the landing to my grandmother’s basement — him in profile, red cape, hand raised in blessing. He was larger than life, real but surreal, someone with a hotline to God yet for whom we prayed.
This celebrity was not lost on a young boy who, during a 1980 visit to the Vatican, went up to JPII to ask for his autograph (which he signed, “JPII”). My husband, raised Presbyterian, remembers thinking, “I don’t know who this pope guy is, but he must be famous — look at the house he lives in.” When he and his family returned to Dayton — and to UD, where his parents worked — the Flyer News ran a photo of the family palling with the pontiff.
Those who hear my husband, Kevin Anderson ’93, tell the story sometimes have the unconscious reaction of reaching out to touch him. It’s a response to the holy that I also witnessed on campus when Pope Francis was elected last March. In times of excitement and anticipation, as well as fear and sorrow, we seek a physical closeness to fill in the gaps of what we cannot articulate. Campus gathered around streaming coverage of the pomp at the papal palace to the point of nearly overwhelming campus band- width. We sought out students with Argentinian ties and those studying abroad in Rome. Each of us was drawn to the event by something different — the process or pageantry or potential — but the enthusiasm was interdenominational and infectious. And, as we do so much on this campus, we celebrated it in community.
Back in Denver all those years ago, I shook off my annoyance, walked into the parking lot separating our buildings and looked up. There was JPII taking a rooftop stroll. I had no words to describe what I felt but, grabbing Kevin’s hand, I knew I was close enough.
The joke is, you don’t need bug spray — just bring Michelle.
And so they did. We were four adults — ages spanning four to six decades — standing in a field, but in the dark we could have been mistaken for being 4 to 6. Fireflies danced while every mosquito in the neighborhood laid in an intercept course for my right ankle.
We left our bug jars at home but brought along an iPad, whose glow displayed the coordinates we sought: west-northwest, just beyond the cottonwood tree on the rise, behind from which the International Space Station would emerge in minutes.
Four grown-ups, a few up past even our grown-up bedtimes, waiting for the 33 seconds when that orbiting hulk of metal would catch the rays of a sun spreading noon on the other side of the planet and make the ship visible to our bits of human existence, necks craned, staring at the vastness of space.
Makes our world feel small, and leaves us in awe.
It’s not a revelation that happens only when standing in the dark. In full daylight, when our senses are otherwise occupied with work and flat tires and family and cupcakes, we get a nudge that wakes us up, the unseen hand of an origami artist folding the corners of our wide world until we all meet.
Flyers know what I mean.
In this issue, Art Elias ’75 tells about running into Flyer fan Harry Delaney while on a walking tour in Florence, Italy, and Dr. Dan Curran strikes up a conversation with a two-time grad in a hotel lobby in Xi’an, China. Flyers have met in a countryside pub in Ireland, law workshop at Harvard and a beach in Thailand.
For this Flyer, it happened on a hike up to a waterfall.
In the Columbia River basin, just east of Portland, Ore., Multnomah Falls sends water crashing 620 feet into a pool below. The parking lot feels like Disney, with children pleading for ice cream while adults with short fuses smolder in the mist. My own extended family, there in August to celebrate my sister’s wedding, added to the mayhem, with my 85-year-old cousin forging up to the falls while my brother and his brood planned our next adventure before this one was even complete.
It was not the wildlife I had hoped to see, so I grabbed my husband’s hand and started up the verdant pathway to the overlook.
The last thing I thought about was what I was wearing; the second to last thing were the strangers passing by.
Then a voice stopped me.
“Hey, Dayton Flyers. I went to Dayton.”
It was Corey Woodson ’05, who had spotted my Flyers soccer jersey, a prize from a raffle two years ago.
We talked only for a moment, about his move west, about the wedding that brought me there, about him sending the magazine a class note. Then he continued on his way, and we on ours.
It’s not science — like how a mosquito finds its prey — that explains these encounters. In a world of 7 billion people, 106,950 alumni are but a blip. But still we find one another.
Maybe it’s pride that makes us voice our affiliation, or that Marianist spirit of welcome that compels us to reach out to others. Maybe it’s recognition of the vastness of space and the awe that a simple hello can inspire.
Want to make our great, wide world feel small? Just bring a Flyer.
Send your story of Flyer encounters to email@example.com. We’ll run some in the next issue.
A little, lonely tree stands in the vast Central Mall, and the students embrace it.
Not literally — you won’t find them hugging this twig. But when we asked our readers through Facebook to help us choose a cover for the autumn issue, current and recent students often chose the sapling, pictured here, to illustrate “deep roots.”
That’s why I love asking questions and gaining feedback. Most often, I discover something I never knew to look for.
Like when I wandered into new student orientation and sat in Formica-topped desks with more than a dozen first-year students. I expected to learn what they thought of the first-year read, This I Believe II: More Personal Philosophies of Remarkable Men and Women. In the chit-chat din of a room mercifully darkened for this early hour, we discovered we had something in common: We all lived in Marycrest. Their “lived” was quite recent, as in that’s where they awoke a half hour ago and rolled out of bed, down the hill to the Humanities Center and into their first UD classroom experience. For me, “lived” was 1990, when I was barely 18 and the Humanities Center was but a patch of grass with a mammoth forsythia bush.
Marycrest is just a building — bricks and bathrooms and doors we walk through every day, holding them open for the person coming after us.
And while a tree is just a tree, in it students saw promise, hope, potential. They saw evidence of what has sprouted on campus, a liveliness in the setting, a simplicity of meaning. I saw a Charlie Brown tree that didn’t have roots deep enough to embrace all I wanted to tell in the story of James Kielbaso’s first trip to campus in 50 years.
What I came to see was that the little tree wasn’t about him — it was about them.
We received hundreds of votes on the cover, and I should be careful not to compartmentalize our readers or second-guess their reasoning. When I posted the images, I wasn’t looking for a straight tally to tell us which we should choose; I wanted to know whether yellow leaves were preferred over green ones, whether statues gave the image meaning or diluted its purpose. Instead, I got a glimpse of how we relate to this place, how we see ourselves reflected in this campus, how we learn we belong.
These are answers to a question I never knew to ask from people who share with me a common connection.
A magazine cover may be just a photo, a dorm just a building. But UD is never just a school, something to which we can all agree no matter how deep our roots.
I’m not a fan of boxing — watching hits that barely dent muscled flesh threatens to shatter my eye sockets — but I am a fan of the boxer. Michael Gaffney’s story of his year with Muhammad Ali [“Muhammad and Me,” Page 28] intrigued me because of the intimate lens the photographer had into Ali’s life; I also must admit I glow each time a Flyer does something of wonder and worth. But the photographs completely overwhelmed me. In Gaffney’s book, I can see the physical transformation Ali undertook to rid his body of any softness that contributed to his title loss against Leon Spinks. I see calves famous for conveying deft footwork, arms triggered for the assault. Gaffney captured Ali’s mischievous smile, behind which I see cheek muscles that could crush a can.
By those images, I am both awed and envious.
It’s the same feeling I get when I watch the Dayton Contemporary Dance Co., which begins another year as UD’s community artist in residence. That bodies can be so graceful and powerful seems implausible. In the darkened theater, I squeeze my husband’s arm as a man who seems twice my size leaps in interpretation of an ostrich or airman or pusher or preacher, each muscle moving precisely thanks to training and talent.
I do not look like a boxer. I do not move like a dancer. I occasionally run because I know I should (and because my dog is bored). I poke at my soft spots and order the Peanut Buster Parfait. And I love to watch others move.
This summer will be a cornucopia for spectators who believe bodies are finely engineered temples. Among my favorites at the Olympics will be Jamaican sprinter Usain Bolt. I will refuse to breathe for the five minutes before — and the 9-point-wow seconds during — Bolt’s race to again prove he’s the fastest human alive. I will devour everything from shot put to sailing, and my dog will be bored.
Before Gaffney met Ali — and before Cassius Clay took the name Muhammad — Ali won the light heavyweight boxing gold in Rome in 1960. In 1996, the former boxer, ravaged by Parkinson’s, set the Olympic torch afire in Atlanta. As I watched through my living room TV, I could see that his loss of strength had not diminished his spark. I said I am envious of exhibitions of strength. But I am equally amazed by what that strength — or lack thereof — says about obstacles overcome, goals attained and limitations accepted. The muscles are not the story; the man is.
What I crave more than anything is a good story, to feel close to people tough as nails or mushy as soft-serve. When they are made real — through words, images or interactions — a sliver of that enigma called humanity is revealed. And I am once again awed.